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They reflect those cultures, and, in turn, affect them. Contemporary films are often fully digital through the entire process of production, distribution, and exhibition, while films recorded in a photochemical form traditionally included an analogous optical soundtrack (a graphic recording of the spoken words, music and other sounds that accompany the images which runs along a portion of the film exclusively reserved for it, and is not projected).įilms are cultural artifacts created by specific cultures. Traditionally, films were recorded onto celluloid film stock through a photochemical process and then shown through a movie projector onto a large screen. If the film is an animation of any kind, the widely separated in time images are planned to be seen at the standard speed. When the images are viewed at the same rate the illusion of motion is the result of what is called persistence of vision, the fact that the mind cannot process individual images at that speed, so the images merge together to produce the illusion of motion within the image.
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The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects.īefore the introduction of digital production, film was a physical strip of film consisting of a series of static or still images of live action photographed at the rate of 24 frames or images per second. The word " cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. These images are generally accompanied by sound, and more rarely, other sensory stimulations. Lipin Job as : Set Costumer, Jay B.A film, also called a movie, motion picture or moving picture, is a work of visual art used to simulate experiences that communicate ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. Rondell Job as : Stunt Coordinator, Ben Glass Job as : Still Photographer, Mark O'Kane Job as : Steadicam Operator, Ana Maria Quintana Job as : Script Supervisor, Ian Fox Job as : Camera Operator, Melton Maxwell Job as : Gaffer, Mark O'Kane Job as : Camera Operator, Laura Baker Job as : Set Costumer, Brenna Charlebois Job as : Set Costumer, Anthony J. McAlister Job as : Visual Effects Supervisor, Norman Howell Job as : Stunt Coordinator, Chad Randall Job as : Stunt Coordinator, R.A. Wight Job as : Set Designer, Robert Greenfield Job as : Leadman, John Villarino Job as : Construction Coordinator, Liloa Wong Job as : Greensman, Richard King Job as : Sound Effects Editor, Dan O'Connell Job as : Foley, Jay Wilkinson Job as : Supervising Sound Editor, Gregg Landaker Job as : Sound Re-Recording Mixer, Martin Bresin Job as : Special Effects Coordinator, John Frazier Job as : Special Effects Coordinator, Michael Schorr Job as : Special Effects Coordinator, Robin Griffin Job as : Visual Effects Producer, Kimberly Nelson LoCascio Job as : Visual Effects Producer, Michael J. Mueller Job as : Executive Producer, James Newton Howard Job as : Original Music Composer, Dean Semler Job as : Director of Photography, Peter Boyle Job as : Editor, Peggy Casey Job as : Art Department Coordinator, Fred Arbegast Job as : Sculptor, Don Cinderella Job as : Set Designer, John Dexter Job as : Set Designer, Gary Diamond Job as : Set Designer, Natalie Richards Job as : Set Designer, Marco Rubeo Job as : Set Designer, Paul Sonski Job as : Set Designer, Darrell L.
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Klassen Job as : Art Direction, David Rubin Job as : Casting, Nancy Haigh Job as : Set Decoration, John Bloomfield Job as : Costume Design, Nick Scarano Job as : Costume Supervisor, Kevin Reynolds Job as : Director, Kevin Costner Job as : Director, Peter Rader Job as : Author, David Twohy Job as : Author, Kevin Costner Job as : Producer, John Davis Job as : Producer, Charles Gordon Job as : Producer, Lawrence Gordon Job as : Producer, Ilona Herzberg Job as : Executive Producer, Andrew Licht Job as : Executive Producer, Jeffrey A.
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Watch Waterworld Full Movie Streaming Online Duration 135 minutes and broadcast on MPAA rating is 252.